Irina Brook did it again – sprinkling her magic over Shakespeare’s mythic tragedy in an unexpected and contemporary exploration through the prism of imagination and metatheatre.
In only one short decade, a new theatre built from scratch in the small Azurean town of Antibes has become one of the leading Thespian temples in France thanks to a visionary director and a pragmatic mayor.
After leaving Nice in 2019, the former TNN director retreated from the public eye to reinvent herself, and has emerged more creative than ever. Her current play in Palermo bears witness.
It’s official. The TNN is going to be torn down, says the City of Nice. But opponents of the project are still fighting against the imminent demise of one of Nice’s cultural flagships.
It has almost been one year that the former director of Nice’s Théâtre National tendered her resignation and left. Where is she now and what is she up to?
Think the most-performed play in French theatre history cannot possibly be reinterpreted? Théâtre de la Cité director Thierry Surace and his resident company prove otherwise
In her first big artistic project after her voluntary departure from Nice, the former TNN director unites her love for Shakespeare with her passion for directing opera
At the end of the Brook era at the Théâtre National de Nice, the whimsical artist is leaving behind much more than just fond memories of remarkable theatre shows
In its fourth season, Irina Brook’s signature play is preparing for a big national tour. First stop: the venerable Théâtre des Bouffes du Nord in Paris
The region’s four leading theatres - TNN, Anthéa, TDG, and TFG - have radically different programmes in store this year, with their directors’ signature clearly legible on each one.